Martins video we are the REAL doll as a satire over an unknown Super heroine, opens up questions over Sex, Power and Lust. Martin tailored a costume made entirely of inflatable Sexdolls. Then she made use of the classic green-screen aesthetics of the 70s and 80s. With its fast changing layers of multiplying bodies, the notion of a foreground and a background becomes uncertain here. A driving beat that never reaches its climax exposes unsettlement. Beyond narration, classification, between real and artificial, the video reveals possibilities of ones multiplication as the bodys infinitive processes of actualization.